Planimetria obrazu

Abstrakt

The text is an attempt to re-read / “structuring” of B. Strozzi’s picture’Abduction of Europa’ in reference to the iconic turn, important and interesting from a methodological perspective, made in the 90s of the twentieth century. Referring to Max Imdahl and his Iconic (and, though the methods of criticism, to E. Panofsky and H. Sedlmayr) and using that first proposed ideas how so-called recognizing and seeing view, stage totality or transscenic field-line system is shown, that the meaning of the image/presentation may be constituted by his, unique and singular, visual structure, which in turn is based on, impossible to translate discursive, pictorial language.