Polityka doświadczenia: estetyka jako obietnica emancypacji w teorii Jacques’a Rancière’a

Abstrakt

The aim of this article is to show that the prevalence of the topic of aesthetics and art in the mature theory of Jacques Rancière is a result of consequent development of his conceptualization of politics in the Ten Thesis on Politics and Disagreement: politics and philosophy. Evoking key notions developed by this French philosopher — such as the distribution of the sensible, regime of arts, subjectivization — I will argue that the issue of the aesthetic experience and the promise of political emancipation inherent in it has a pivotal meaning for the Rancièrean relation between aesthetics
and politics.